Thursday, November 2, 2017

Death Laid An Egg 1968

I told myself while watching this, "this is one heck of a movie".


I was usually so caught up in the impeccable camerawork or stunning use of montage to make sense of the plot. But I think I understand it: a man is driven insane from the numbing experience of working at a chicken farm with 2 women who are fighting over him. The plot is extremely loose and a bit absurd but its full of clever metaphors for the social factors in his breakdown.

 Gian Piero Brunetta, author of The History of Italian Cinema, considered the film to be "worth remembering", comparing it to the works of Luis Buñuel and Michelangelo Antonioni. Brunetta felt the film held several thematic undercurrents, dealing with the conditions of farm labourers and the changing social attitudes towards the class system in Italy

I want to compare it to the work of Jess Franco because its so jazzy, surreal, sexy, psychological and obtuse... yet commercial. Its actually more polished and entertaining than the typical Franco film by a long shot and has the added poetics, social commentary and New Wave sensibility of maybe a Jean Rollin film. But this baby doesn't come from Spain or France. Its Italian. One of the most extreme Italian films I've seen from the period. Its somewhere between a Fellini & Bava, art & exploitation. Its a beautiful experiment in contrasts. A marriage of high and low art. Aesthetically and politically its very similar to the original Texas Chainsaw Massacre, so that details its pedigree.

Essentially you want to see this if you love giallo AND "acid cinema". I imagine it was inspired by the radical commercial experimentation in the previous year's "Bonnie & Clyde", but "Death" manages to outdo it in sheer stylish lunacy.

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