2 solid mid-tier Franco films, both stronger than they are weak.
Exorcism is a very small, restrained effort from Franco. He made it for EuroCine's Marius LeSoeur, maybe his most cheap and gritty producer of the 1970s, so its heavy on sexuality and low on plot action or even visual style. But the film is notable for 2 things: its wonderfully satiric plot & Jess Franco playing the lead. Perhaps this film is one of his most ordinary visually because he's usually the cameraman. Its a decent trade off because he IS a great on-screen performer. Jess plays a sadistic priest who mistakes a faked black mass as a real one and feels compelled to murder the participants to save them. Its a fairly lyrical, personal and darkly hilarious spoof of the Catholic church who censored and persecuted Franco for his Marquis de Sade-inspired works. It words doubly as the classic interpretation of people who can't read de Sade properly, like the murderer of Pier Paulo Pasolini. So while a minor film, Exorcism is still meaningful and effective.
Dracula Conta Frankenstein kind of blew me away. Its a campy tribute to old Universal horror films, intentionally absurd and yet evocative of the great influence those monster movies had on Franco's cinema. What do I mean? The film is packed full of mood, grim images, violence, archetypal villains and sorcerors. But its rendered in a cartoon style. The film is almost completely a silent film. Franco admits that he was inspired by Eerie horror comics and stages everything in the same rigid but larger-than-life style. DCF has some of Franco's most inspired direction outside of his more personal work. This is pulpy commercialism obviously, but Franco is having fun and is a real fan of the genre he's mocking. I can't tell if I like this more than its sequels Daughter of Dracula & Erotic Rites of Frankenstein. Its a perfect synthesis of both. Its probably a much more lavish and cohesive film than both.
I have to say I was disappointed that both films showed animal cruelty. I would've hoped Franco was kinder than this, but he did come from a totally different time and place, so I won't judge given his other philosophical contributions, but its very sad and disturbing. Be warned.
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